Anna Stereopoulou Greece
A STEREOSCOPIC perspective of Music & Art©
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A ∞ [Ref.006]
by Anna Stereopoulou
supported by 4 fans who also own “[∞ Å] The Hill + the port (arianrhod's theme)”
A wonderful album featuring some entrancing tones.
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supported by 4 fans who also own “[∞ Å] The Hill + the port (arianrhod's theme)”
Seeing the (in-)famous barrels of the divided Nicosia, filled & fixed with concrete at the lifeless though green city strikethrough, my 1st thought was: ”I wonder what they sound like!” In his experimental album, one of the best songwriters & composers awakens the ghosts of the recent violent history that would otherwise keep slumbering inside. He limits himself to a whispering presence. If you manage to come to Nicosia, give the metal snake a thorough hit. Βάρα τα βαρέλια.
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The latest from multi-instrumentalist Christine Ott alternates ghostly piano compositions with lush & hovering synth-driven songs.
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The 17 mindbending songs on this compilation represent minimalist experimental music at its best, a collage of blips and static.
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All sounds on this album come from a recording of a guitar being scratched with a broken violin bow, digitally sculpted into stunning songs.
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Visionist showcases vocals for the first time on his Mute debut, featuring collabs with members of Circuit des Yeux, Black Midi and more.
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Aramoana
by Robert Scott, Takumi Motokawa
The Clean’s Robert Scott teams with Takumi Motokawa for a record of dense and riveting improvised music.
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