Physical Copy Disc of the 'c i r c e :the black cut:' album.
Produced in AEAEA and signed by Anna Stereopoulou
...keep Weaving ~
Includes unlimited streaming of c i r c e :the black cut:
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lyrics
Intro Vocals: Somali Panda [Indian Classical Pattern of Singing on the word ‘Mother’ (Mā), performed in Bengali]
✧
'Avesta: Khorda Avesta', Calebrating ANĀHĪD
Aban Yasht; 5: "Hymn to the Waters" (Ardui Sur Bano Yasht)
Excerpt sung in (Younger) Avestan by Labros Kantzos
Text follows in (Younger) Avestan* and English**
[*Notated with Latin letters and various diacritical marks)
"[…] 2.
'Who makes the seed of all males pure,
who makes the womb of all females pure for bringing forth,
who makes all females bring forth in safety,
who puts milk into the breasts of all females
in the right measure and the right quality; […]"
✧ Female Vocal Improvisation: Indian Classical Pattern of Singing, accompanying Traditional Epirotic Lament (Gk; Moirolói) on Piano, El. Double Bass
✧ Male Vocal Improvisation on Anatolian and Serra (Pyrrhichios) Dance /Rhythm
About SERRA Dance: http://www.pontian.info/dance/serra.htm
supported by 4 fans who also own “[i Ǝ] Define Me Not (red giant)”
Seeing the (in-)famous barrels of the divided Nicosia, filled & fixed with concrete at the lifeless though green city strikethrough, my 1st thought was: ”I wonder what they sound like!” In his experimental album, one of the best songwriters & composers awakens the ghosts of the recent violent history that would otherwise keep slumbering inside. He limits himself to a whispering presence. If you manage to come to Nicosia, give the metal snake a thorough hit. Βάρα τα βαρέλια. EleutheriaPL
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